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Presented by Ting Research Dao
Ting Research Dao is composed of a group of researchers who are interested in exploring NFT and metaverse and have engineering capabilities. In the past two months, we have studied the number of addresses (and the number of people) who visited the CryptoVoxels platform plots, the conversion ratio of events held, land prices and trends, Systematic research has been carried out on issues such as the construction of virtual venues for artists. According to the "words" classified by the functions and convenience of virtual buildings, we temporarily divide CryptoVoxels buildings into 11 categories, namely Gallery (gallery), HQ (headquarters), Tower (tower), Garden (garden, mostly used for party check-in) Party), House (private house), Shop (commercial district), club (mainly used for activities such as cyberbundy and virtual auctions around cyberbundy), MVB, Museum (exhibition hall), etc.
The further simulation of virtual social interaction and the further refinement of virtual division of labor are based on the inevitable stage of development of CryptoVoxels (and other metaverses that use digital wallet logins as entrances). In the world of CryptoVoxels, people can fly to view the exhibition, and can quickly transfer to other spaces to view the exhibition through the portal; the curator can build and arrange the exhibition against gravity, can be easily rebuilt, has almost zero building material costs, and can overcome the epidemic caused by the epidemic Traffic barriers open international exhibitions; visitors can enjoy artworks from all over the world across traffic barriers (and because nft itself confirms its own rights, it can be very convenient to connect to the artist himself and purchase channels), and exhibitors can use basic body movements in the metaverse , text emoticons and voice live broadcast to complete cross-border social networking.
When we are studying the most popular metaverse pavilions and the most successful virtual cultural activities, we are actually looking for design rules and how to take advantage of the "digital space" to create digital content that touches more people. We will share a little experience with all readers.
Both ImnotArt Community Gallery and my own Ting Song Museum are one of the supporting pavilions of CAWA (Crypto Art Week Asia). ImnotArt Community Gallery changes exhibitions every week to prepare for the activities every Tuesday, and the effect of the activities is very obvious.
CV’s top ten pavilions under the category of Gallery are as follows:
The best popularity of CV Garden is Whale Garden. As a world-renowned encrypted art collector and investor, WhaleShark owns many plots in cv. Whale Garden also attracts attention with the huge whale vox on the roof. Garden is a "public facility" that simulates nature in the digital world. For Garden, which has no way to plant more commercial content and occupies a huge area, the message it conveys may be: Well, this is taste. The Ting Dao group agreed that the top digital aristocrats need Garden. Although WhaleShark's Whale Garden is actually a gallery in terms of function and architectural structure (but no paintings yet).The most popular CV Shop is cryptopunk.shop, they collect the punk collections of various cryptopunk collectors and display them in the space. If sold, the cryptopunk.shop space will get a portion of the profits. This is worth noting because:
The virtual space has been able to efficiently and elegantly promote NFT sales by distributing traffic.
But in fact, bypassing the restrictions of the "shop" block terms, the well-deserved CV "shopping mall" traffic champion is VOX walk. VOX walk is a neighbor of Tingguan. I have witnessed the builders of VOX walk build a blank room from zero to one, and then from one to the top three positions on the CV list all the year round. The growth is changing with each passing day. VOX walk divides the plot into standard grids, publishes the contact information of the discord group, and attracts investment from the entire CV world. The shops will deposit their content on the plot one by one, further forming an agglomeration effect, and creating a popular outlet similar to a "bazaar".
The best popularity of CV Club is the Magall-club-backstage that everyone is familiar with. It also inspired the decoration of many cyber nightclubs. But looking at the Cyberclub, the one with the most perfect overall decoration and the most fun activities is the time-honored Magall-club-backstage.
The best popularity of CV MVB is MVB. MVB is a coined term for this community. MVB (Metaverse Billboards) is the first "Focus Media" based in Metaverse, with 250+ plots composed of 140+ plots, and the billboard matrix spreads all over the CV islands. The price of 1 ETH per week has not changed since ancient times, which shows their adherence to crypto-standard thinking. I also agree with the concept of Metaverse Focus Media.
The best popularity of CV Temple is The Temple (Dark Junction). It really is a temple. I was actually a little moved when I saw this building. There are many people who are constructing facilities related to "people" with such painstaking efforts, and come to the virtual world. The Temple is also very popular.
The best popularity of CV House is House of M. It is worth mentioning that this is one of the masterpieces of the great architect George that Ting Research Dao is tracking.
The most popular CV HQ is Mintbase HQ. Mintbase HQ and Imnotart Community Gallery have similar methods of gathering popularity: keep doing activities.
The best popularity of CV Tower is Marble tower. Its plan area is small (5m*10m), but it is 19m high, which is a narrow high-rise. 5*10, 19m high.
The best of the CV Museum is the Bittrees Art Museum. At the best time, Tingguan No. 1, 2 and 3 are also in the top 20 of the museum category in the entire cv world. (Attach the top 20 list of CryptoVoxels global list)
Teacher ck of Ting Dao believes that Metaverse is just an enhanced version of the Internet, and the logic of traffic is not fundamentally different from that of the Internet era. The reason why high-quality content attracts attention has not changed. But I clearly see that the creator economy built on the metaverse has been further released: a newer traffic monetization model, a more immersive experience, and a more international cultural background. I hope that Web3.0 Metaverse will allow more builders with creativity, engineering realization ability, and interdisciplinary thinking to get more.
The content dividend of Metaverse may belong to these people, but it will definitely belong to many more people.
The picture below shows the wallet addresses with the most blocks in cryptovoxels.
Note: In my mind, land is not enough. What is precious is not the "strictly deflationary" land, but the people who have devoted their irreplaceable efforts, wisdom and spirituality to each piece of land, and the heart-to-heart connection between this group of people and their fellow travelers. It is these beautiful words that seem weak and have no economic power that make this land so precious.As for the digital rich, it is recommended that you not just hoard land, but build every piece of land well, especially enjoy the joy of creating by yourself.
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